The likes of Netflix and other streaming services are keeping us topped up with things to watch, but for theatre fans, the stage is sorely missed. While the choice of songs seemed flippant and jokey, the gravitas of the story was, arguably, saved by the style in which she sang them. Have something to tell us about this article? So, if you haven’t seen it, be sure to tune in on YouTube! Charlotte Brontë’s magnum opus is often filed away under one of those novels you have to read so you can say you’ve read it, but its reputation is hardly that of searing relevance or heart-pumping excitement. Her performance is surprisingly physical and she seems unafraid to use her whole body. National Theatre Live: Jane Eyre (2015) cast and crew credits, including actors, actresses, directors, writers and more. Yet the singing (yes, singing) was the most confusing. {{#media.media_details}} Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart. The first sounds we heard were the squeals of a baby – this was Worrall as a new-born Jane. On Monday night, at Colwyn Bay’s Theatre Colwyn, was a screening of Jane Eyre – recorded from a performance at the National Theatre itself. Pilot the dog, as played by Craig Edwards, is a particular highlight, the more so because Edwards also plays the very stern and cruel Mr Brocklehurst, headmaster of Jane’s school, and it feels strangely triumphant to see him sprawled on the floor, wagging his tail after he has been so mean to our Jane. Jane (Madeleine Worrall), an orphan from birth, is brought to live with an embittered relative, Mrs Reed (Maggie Tagney) who despises her very presence. Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart. National Theatre Live; Of Mice and Men – Review, National Theatre Live; Jane Eyre – Review, Antony and Cleopatra, Globe Recording – DVD Review, Flanders Symphony Orchestra at Venue Cymru – Review, The Circle – A Hopeful End to Dull Dystopian Yarns, The Information – Sharp and Cynical Meditations on being a Writer, A Fine Beginning presents Made in Wales II. So, let’s take a look at the cast…. Cookson nods to this issue, Melanie Michael’s beautiful, haunting vocals representing the otherwise voiceless ‘mad’ woman in the attic. The Reviews Hub London is under the editorship of John Roberts.The Reviews Hub was set up in 2007. Most of the cast is granted this impressive range of characters: Laura Elphinstone who plays Jane’s poorly school friend is later reborn as the cold, even-tempered St. John; Simone Saunders, playing kindly servant Bessie reappears as the beautiful, pompous Blanche Ingram. © 2020, All Rights Reserved - The Reviews Hub, FILM REVIEW: Time – The BFI London Film Festival 2020, FILM REVIEW: Herself – The BFI London Film Festival 2020, Apollo 13: The Dark Side of the Moon -Original Theatre Online, FILM REVIEW: Honeymood – The BFI London Film Festival 2020, FILM REVIEW: 200 Meters – The BFI London Film Festival 2020, FILM REVIEW: Eyimofe (This is My Desire) -The BFI London Film Festival 2020, FILM REVIEW: Undine -The BFI London Film Festival 2020, Van Gogh Alive – the experience, Birmingham Hippodrome, FILM REVIEW: 180° Rule – The BFI London Film Festival 2020, FILM REVIEW: Kajillionaire -The BFI London Film Festival 2020, Dick Whittington – Opera House, Manchester, Son of a Preacher Man – Theatre Royal, Plymouth, Son of a Preacher Man – New Alexandra Theatre, Birmingham, https://www.youtube.com/watch?v=U0CL-ZSuCrQ. Luckily neither occurred, and she managed to charmingly portray the strengths and weaknesses of Bronte’s most famous character at two points in her life. He delivers an exceptional performance here. It wasn’t poppy or upbeat, but solemn. As she grows in to adulthood, she seeks to find at least fulfilment if not adventure, which leads her to the household of the literarily notorious Mr Rochester (Felix Hayes) and the excitement she has been craving. We had traditional music from the integrated band, whose members sometimes became minor characters – adding musical tension, humour and sadness. Two things could have gone wrong here. In picturing a staging of Jane Eyre you might imagine only starchy conversations and long, listless gazing out at the bland wintery palette of English countryside, and understandably so.

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