Buster Keaton's most surreal movie sprang from his insistence on logic and realism.
nobody has ever done it better, maybe even as well, as Buster, Fantastic filmmaking from one of the world's greatest, Footage of laughter, romance and technical audaciousness.
I often found myself saying, "that stunt must be dangerous" or "how did they do that sight gag?" 009: Sherlock Jr. (1924) - released 4/21/1924, viewed 7/31/05. Hereâs looking forward to seeing him and Downey Jr embark on a more exotic adventure next time out. Again if it weren't for Chaplin being so ahead of his time, this might be better, but Chaplin pretty much made every other 20s director obsolete save a very select few.
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The dream sequence is this movie is fantastic! A very game Rachel McAdams, though, as the duplicitous but charming Irene Adler, is fatally edited down to the point that not only does all the prancing about in her pants of the trailer not make the final cut, but her backstory, this mysterious previous relationship with Holmes that could have provided such intrigue and allure, is merely hinted at, discarded presumably in the pursuit of a running time not up there with The Return Of The King. There's so much packed into 44 minutes, it's hard to believe that there's a movie within a movie and a love story and a frame-up and it all ties together and makes perfect sense with just the occasional pithy caption. External Reviews Sherlock Holmes (Downey Jr) and his loyal partner in crime-busting, Dr Watson (Law), find themselves up against the sinister Lord Blackwood (Strong) and his evil, apparently supernatural, plans.
It's a situation complicated by the arrival of Holmes' ex-amour, the untrustworthy and dangerous Irene Adler (McAdams)... A fun, action-packed reintroduction to Conan Doyle's classic characters. I have to say that this is by far Keaton's finest work. It's just a film that makes you hanker after Ritchie's back catalogue. The seamlessness of the camera trickery is mind-blowing, and the post-modern breaking-the-fourth wall philosophy has been the subject of an entire book published by Cambridge. running for only 44 minutes, Buster Keaton's Sherlock Jr. crams multiple iconic scenes and images, tons of action, and constant comedy into its miniscule l... Silent masterpiece is enter-train-ment for all ages.
| Sherlock Jr. is clever, charming, inventive, and full of surprises. Find more movies that help kids build character. A thriller?
Just as Singer, freed from his origin-story constraints, really flew in X-Men 2, so too should Ritchie come Sherlock's return â delivering on the tantalising promise of a Holmes vs Moriarty face-off hinted at here almost to the point of pricktease and, crucially, taking his heroes on a more globetrotting mission. There's the odd Ritchie-ism, like crunchy slo-mo in the fight scenes, but he was, presumably, brought on board for reasons not wholly to do with his cinematic style. If you aren't as amazed by this tour de force as I am, check your pulse. Each new Jude Law movie may appear to be an excuse for the tabloids to give him a kicking, but this time itâs him dishing out the beating. Buster Keaton's character is the kind of man who, when a movie patron claims to have lost a dollar, he gives away one of his.
A great silent comedy classic, with comic gunplay. Your purchase helps us remain independent and ad-free. Please introduc... Buster Keaton is the best comedian!!!!!!!!!!!!!!!!!!!!!!!! That's saying something for a ninety-year-old film.
CCPA: Protect your family's data privacy under new California law. And the best of them all for pure comedy, to my mind, is Keaton. And what have Ritchie and Downey Jr, these unlikely compadres, set in motion? It’s a school year like no other. It could have been made by anyone. Keaton was just about getting involved in strange and awkward situations and trying to real his way out. Copyright © Fandango.
A performance by an absolute legend of silent picture perfection. Keaton made some of the great endings in film, I think. An Aleister Crowley-style Satanist (Ritchie regular Mark Strong, with a Bela Lugosi hairdo) has cooked up a Da Vinci Code-sized plot involving coming back from the dead, infiltrating parliament and taking over the world. Genres: Slapstick. Still, having previously heard over and over again about the brilliance of this film, I never really understood until I saw it myself. All deductive insight here is in fact, rather feeble. Common Sense and other associated names and logos are trademarks of Common Sense Media, a 501(c)(3) nonprofit organization (FEIN: 41-2024986). There are little bits like that, and then those huge scenes of choreographed mayhem: a blast by water after hanging off of a moving train, a chase through a town that includes a sudden chance of a road connected, jumps through small holes and windows at the nick of time that are half pure Keaton and half exciting editing.
Jokes are fine, but don't post tactless/inappropriate ones. He is sending for the world's greatest detective - Sherlock Jr.!".
Ultimately, though, as with Singer's reintroduction of a new generation of long-established characters, this first visit to Baker Street is more successful as a set-up to its sequels than an entirely satisfying story on its own terms. Buster Keaton has cajones the size of watermelons. A car chase and crash with guns firing, a long sequence with a runaway moped dodging traffic and trains, and a run along the top of a train.
The story itself, about a film projectionist who desires to become part of the movies, and then does, by walking right onto the screen, made palpable the desire that we all have to be in the movies: To get the girl, to be an action hero, to outsmart the bad guys. Flawlessly beautiful, achingly simple keaton masterpiece, one of the seminal Buster Keaton comedies.
I like how this is a movie about the movies.
You're dead. Keaton's appreciation of the formal paradoxes of the medium is astounding; his observations on the relationship between film and the subconscious are groundbreaking and profound. Parents: Set preferences and get age-appropriate recommendations with Common Sense Media Plus. Starring: Kathryn McGuire, Buster Keaton. We display the minimum age for which content is developmentally appropriate.
Simple story with surprising twists. Wenn irgendjemand euch erzählt, er fände Stummfilme langweilig, dann zeigt ihm einfach diesen Film und heilt ihn von seiner Blindheit. I imagine most people at least know OF this movie with its famous movie-in-a-movie surrealist scene. Holmes is played with boggle-eyed haminess by Robert Downey Jr while Jude Law is Watson – inspired casting at first glance: his weirdly boring aura superficially lending itself to the role.
Hand-holding and an innocent kiss between Keaton's character and his date. Common Sense is the nation's leading nonprofit organization dedicated to improving the lives of all kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century. Get resources from Wide Open School, Online Playdates, Game Nights, and Other Ways to Socialize at a Distance, Keeping Kids Motivated for Online Learning, Set limits for violence and more with Plus, funny, silent comedy from slaptick legend is extremely mild, 5 Tips to Make Family Movie Night a Success. And nobody could have predicted that the star dominating the new centuryâs blockbuster entertainment would be Robert Downey Jr. His name was once a byword for squandered ability. Actors: Buster Keaton, Kathryn McGuire, Joe Keaton, Ward Crane. Even for Buster Keaton, this is a tremendous display of comedic and fantasy material. Tue 15 Dec 2009 00.17 GMT Also, the special effects really hold up today. Take a small bit where Keaton's character (one of them, anyway) plans to sabotage a nefarious guy with a slip on the banana peel. Special Effects in old movies that still hold up, Why can˙t comedy never be amongst the best films evah, Top 100 Films as Voted by RYMers [2014 Edition].
All these paradoxes belong naturally to this "through the looking glass" work, which examines the dream-like nature of filmor is it the film-like nature of dreams? Back in the 20s this must have been all the rage, but today it just seems a bit simplistic and well a bit shallow, yes I'll say that. With their natty suits and canes, their opera ticket tiffs and their campy domesticity Downey Jr and Law have the faint look, at times, of Gilbert and George. Sherlock's adversaries attempt to poison his drink, plant a bomb on the pool table, and booby-trap a chair with a falling ax. The support cast have mixed results.
To say nothing of the effort it must have taken to make Keaton's dream-self rise up from the sleeping projectionist and climb into the movie on the screen below -- look Ma, no CGI. Brilliant stunts. But they're both a pain: the former a cartoon with darting eyes rather than a brain, the latter just a blank. All the community rules apply here. You can only marvel at the craft of Buster Keaton. As Sherlock, he's onto the jewel thieves right under his nose and cleverly spoils their nefarious plots against him.
And he's been handed a rumoured $80m to blow on it.
Sherlock, Jr. was my first taste of Buster Keaton, and thank god for it is the best place to start. Mark Strong is as reliably redoubtable as ever as the evil Lord Blackwood and the always brilliant Eddie Marsan is a great target for gags as a bumbling copper.
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