The real name of the Master of the Gualino St Catherine remains unknown. Instead, Jesus stands upright, almost unsupported, only loosely restrained by Mary's left hand, and appears to be about to step away from his mother and into the world. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held The Madonna of Bruges is a marble sculpture by Michelangelo of Mary with the infant Jesus. Carved poplar wood with gesso, traces of pigment and gilding, Art of Living, Level 5, National Museum of Scotland. in her arms. You can find out, blog post by the University of Edinburgh's Dr Luca Palozzi, find out more about the research behind the film here. The next step of the research process is to use the results of the paint investigations to produce a colour 3D digital model of the sculpture as it looked in the mid-1300s, and to show its changing appearance over the centuries. The paint layers have since degraded and flaked away in large areas, revealing the fine wood carving beneath. Above: The xradiograph of the sculpture shows the nails used in its construction. You can find out more about her work in this blog post. Explore the amazing collections of National Museums Scotland through films, animations and podcasts. You can see the Madonna and Child come to life in the BBC's Civilisations Augmented Reality app. If this is so, then it would have been displayed facing slightly to the right and looking down. Generally, conservators at National Museums Scotland leave previous alterations made to objects intact, as part of the object’s history. Above: Cross section showing the original paint layers and the numerous subsequent repaints on the Virgin’s robe. As well as being repainted while on display in church, the Madonna was also restored in the 1960s after entering the museum collection. Instead, Jesus stands upright, almost unsupported, only loosely restrained by Mary's left hand, and … Explore stories, films, games and resources from the museums’ collections. The red line indicates the position of this cross section. This was a time when ‘restoration’ rather than ‘conservation’ was more in vogue. Scientists at National Museums Scotland have studied the paint layers to try and establish how many colour schemes can be identified and which pigments were used. Above: Christ's hand before (left) and after (right) conservation. Conservators then had to decide whether to undo past work to reflect more accurately the sculpture’s original state. Above: The Madonna under UV light, which reveals large areas of overpainting. Yet traces of the original decoration remain, suggesting that originally she was opulently adorned with gold and richly painted brocades. However, new research showed that this modern repair was inaccurate and misleading, and so the remodelled fingers were removed. Our online database contains a selection of the 12 million objects and specimens in our collections. By studying the Madonna under ultraviolet (UV) light, our conservators could see that large areas of her dress and face had been painted over in the 1960s. Find out more and download the app here. Above: Conservator Diana de Bellaigue working on the Madonna. Above: Remnants of original paint decoration on the Madonna's throne. Above: The Madonna after conservation, with the underdrawing revealed. You can have so much fun with our collections this summer, whether you’re at home or outdoors. The Madonna has been painted many times over the course of her existence. drapery. He was named for his beautiful wooden sculpture of St Catherine, currently in a private collection in Turin. The objects in our care have the power to inspire people now and in the future. The long, oval face of Mary is also reminiscent of the Pieta. Eventually, the decision was made to remove the layer. All Rights Reserved. Mary does not cling to her son or even look at him, but gazes down and away, as if she knows already what is to be her son's fate. You can find out more about the research behind the film here. It is believed the work was originally intended for an altar A decision was made to remove this paint because it was historically inaccurate, but the team knew this was a bold decision: would the Virgin look as appealing without eyes to hold the gaze? SC 011130, Above: Conservator Diana de Bellaigue working on the Madonna. Madonna and Child shares certain similarities with Michelangelo's Pieta, which was completed shortly before, mainly, the chiaroscuro pattern and the movement of the Terms of Use | Links | Michelangelo and Da Vinci Conserving the eyes of a rare 14th-century Madonna, Revealing the Layers: the Umbrian Madonna and Child, © National Museums Scotland Scottish Charity, No. The Museum is now open with new temporary opening hours of 10:30–16:30 daily, Free entry, advance online booking required, The museum is now open, 09:45–17:45 daily. The results were revelatory: a previously hidden underdrawing was exposed on the Virgin's face, possibly used by the painter to map out his design before applying the paint. The very dark purple-blue areas were carried out at the museum in the 1960s. A multidisciplinary team at National Museums Scotland used technology to reveal how the sculpture was constructed and once opulently decorated, and how it has been repainted and repaired over the years. Meanwhile, Discover all the benefits of Membership and find out about types of Membership, prices and ways to join here. A drill hole revealed during this process may suggest that the Christ and Virgin were originally holding something, a lily perhaps. The majority of pieces linked to the Master are still preserved in situ in churches in both Umbria and Abruzzo, and continue to play a role in popular devotion today. 3 min read time. Above: The Umbrian Madonna and Child before conservation. The Madonna of Bruges is a marble sculpture by Michelangelo of Mary with the infant Jesus. Above: The Umbrian Madonna and Child before conservation. To investigate its structure, the sculpture underwent computed tomography (CT) and xradiography at the Royal (Dick) School of Veterinary Studies at the University of Edinburgh. Bought in 1950 from the collection of Sir Michael Sadler, no other Madonna and Child by this enigmatic artist can be found outside of Italy and only a few others are in public hands. Copyright © 2011-Present www.Michelangelo.org. Above: Cross-sectional images of the CT scan reveal the ring pattern of the poplar wood the sculpture is made from, as well as construction techniques. You can find out more about the Master in this blog post by the University of Edinburgh's Dr Luca Palozzi. This beautifully crafted 14th century sculpture was made by an anonymous artist known as the Master of the Gualino St Catherine. Your donation today will protect our collections and help us to share their stories with the world. This film shows how the sculpture was created and may originally have looked. CT scanning revealed that one of Christ's hands had been remodelled during the restoration work carried out in the museum workshop in the 1960s. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms.

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