However, Theodore's character embodies the idea that the pure of heart will be protected, and throughout every trial he faces, his conviction is proved true—although not without much struggle, damage, and sacrifice. This is also confirmed by his self- commentary when he says: I am no intruder in to the secrets of families. They all serve to highlight Manfred´s maliciousness. Throughout the story the speaks elaborated and polite. The main characters occupy Manfred, the illegitimate Prince of Otranto, the villain; Matilda, his daughter; Isabella, the intended wife of his son, Manfred´s foster daughter, and Theodore, first a mysterious stranger and later revealed as the real Prince of Otranto. In Isabella’s case her father, Frederic, “offered [her] to the new prince” Theodore (95). Frederic, Marquis of Vicenza, is guided by Providence, through a dream he has while captured in the Holy Land (ancient Palestine) during the Crusades, to the abode of a dying hermit, who, also by Providence, has a message for Frederic. Course Hero, "The Castle of Otranto Study Guide," April 27, 2018, accessed October 10, 2020, https://www.coursehero.com/lit/The-Castle-of-Otranto/. 2 Cf. Through psycho-narration 9 we learn from Matilda that “his person was noble, handsome, and commanding, even in that situation [when he is examined by cruel Manfred, nearly sentenced to death]” (Walpole 1764: 49), Frederic calls him a “brave knight” (Walpole 1764: 71) and Bianca says “he is as comely a youth as ever trod on Christian ground: we are all in love with him: there is not a soul in the castle but would be rejoiced to have him for our prince” (Walpole 1764: 91) and from himself that his “soul is free from guilt” (Walpole 1764: 66). On her deathbed, Matilda's response to being mortally wounded—forgiving her father for slaying her—unleashes goodness in Manfred in the end. To avoid the destruction of his lineage Manfred sets disastrous events going. When Frederic states “he is one of the bravest youths on Christian ground,” we understand the interconnected nature of Christianity and the male dominated superstructure espoused by the novel. These gendered fictional representations reflect, influence, and perpetuate patriarchal attitudes toward women. The Castle of Otranto Study Guide. Although the novel’s women do obtain benefits by the end of the novel, this by no means undermines the patriarchal structure controlled by the novel’s men or established by Walpole. The male characters, antagonist or hero, act upon the plot while the female characters are subject to the male forces that allow them very little or no room for self-determination. - Completely free - with ISBN CHARACTERS IN THE CASTLE OF OTRANTO. Complete List of Characters in Horace Walpole's The Castle of Otranto. Isabella assesses him in praesentia (Pfister 1994: 252) as “courteous” (Walpole 1764: 27) and “generous” (Walpole 1764: 27). Thanks for exploring this SuperSummary Plot Summary of “The Castle of Otranto” by Horace Walpole. For the husband is the head of the wife as Christ is the head of the church…Now as the church submits to Christ, so also wives should submit to their husbands in everything” (Holy Bible: NIV). One unique quirk of this Gothic novel that set the standard for many other Gothic texts that would follow (such as Dracula, and The Monk) is the tendency to write the work as another author within the text. Otranto reflects the cultural attitude of its writer and his culture’s view of the female state as secondary and emotional dependent on the male gender. Women flee while men stay and fight. Course Hero. Print. When she releases Theodore she says, “I run no risk” (Walpole 59). 7 Http://www.babynameguides.com (23.08.2007). Theodore's convictions, however, do not bring him to a fairytale happy ending, but rather to acquiescence to Providence. Hippolita, his wife is “an amiable lady“(Walpole 1764: 14) and “excellent” (Walpole 1764: 33) who “sometimes venture to present the danger of marrying their only son so early […] never received any other answer than reflection on her own sterility, who had given him but one heir” (Walpole 1764: 14) and the fact that he "had contracted a marriage for his son […]”(Walpole 1764: 14) already brings to light his dominant position in the family and in the novel. She shows strength and courage by speaking to a supposed ghost, she releases Theodore from prison, provides him armour and tells him where he should escape. The nature of Walpole’s social environs is important in order to conceptualize the degree of patriarchal bias in the novel’s cultural representation. This gives the unique effect of a story within a story. Unfortunately, Matilda’s display of self-determination ultimately proves fatal. The first one dies in the beginning and never appears alive but he has to be mentioned because his death triggers the story off. Kathy Justice Gentile, from the University of Missouri, maintains that “an individual assumes and performs a gender identification in response to desires shaped by laws or prohibitions that enforce a binary system of masculinity and femininity” (17). Isabella repetitively flees throughout the novel while Theodore stays and fights to protect her. Walpole employed for Theodore´s characterisation the most commentary by others to present him as a special and worthy person for the story even before his name and origin is revealed. Academic Search Premier. Frederic is given leeway by law and social pressures to accept or decline, however, Matilda is not consulted. Therefore, Walpole’s society, influenced by Christian principle, was organized in a hierarchal model where women stood at the bottom of the hierarchal pyramid. Walpole draws from his culture to highlight women’s perceived private and public roles. Designed to correct some of the foibles incident to girls, and supply them with innocent amusement for their hours of leisure. However, what was most important to him, true love, is lost forever. A constant reaffirmation of gender-based attitudes occurs throughout the novel: women are expected to remain quiet, to dote upon the men, and to attend to the sickly, while men robustly venture forth to discover the cause of danger and bravely confront it. Although annulling her marriage would disavow her from a less-than-desirable husband it would also subject her to abject poverty and the loss of social rank. The second meaning is proved to be true implicitly through her believe that “heaven itself declares against your impious intentions!” (Walpole 1764: 22) and when she “addressed herself to every saint in heaven” (Walpole 1764: 26).

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