The portrait's subject is Baldassare Castiglione (1478–1529), poet, humanist, and ambassador, whom Raphael first met as a young man in Urbino. Nevertheless, there is much that is positive in The Courtier; there is a lofty concept of human personality and dignity and of man's creative possibilities. Indeed, the wisest ancient philosophers taught that the heavens themselves are composed of music and there is a harmony of the spheres. $('#moreMatGrpElement_4').tooltip({html:true}); 25% bis Sonntag, 11.10.2020 p> Baldassare Castiglione est né à Casatico, province de Mantoue, en Italie, dans une ancienne famille lombarde ayant émigré à Mantoue à l'époque du marquis Ludovic Gonzague, un parent de Luigia Gonzague (it), la mère de Castiglione. [26] There is some doubt as to whether Pallavicino or Giuliano, or both, express Castiglione's real views on the subject of women. また、当サイトで提供する用語解説の著作権は、(株)朝日新聞社及び(株)朝日新聞出版等の権利者に帰属します。 After receiving a classical education in Mantua and in Milan, he served at the court of the Milanese duke Lodovico Sforza from 1496 to 1499. [24], Another topic, that of the Court Lady, brings up the question of the equality of the sexes. Baldassare Castiglione (Italian: [baldasˈsaːre kastiʎˈʎoːne]; December 6, 1478 – February 2, 1529),[1] count of Casatico, was an Italian courtier, diplomat, soldier and a prominent Renaissance author,[2] who is probably most famous for his authorship of Il Cortegiano or The Book of the Courtier. At the same time, it is a nostalgic evocation of the court of Urbino as it was in Castiglione’s youth, a “portrait” in the manner of Raphael of the duchess and of his friends, many of whom were dead by the time the book was published. In 1524 Pope Clement VII sent Castiglione to Spain as Apostolic nuncio (ambassador of the Holy See) in Madrid, and in this role he followed court of Emperor Charles V to Toledo, Seville and Granada. [15] Jennifer Richards points out that the question put forth by De Oratore, namely, can rhetoric be taught or is it an inborn gift, parallels that of The Courtier. French Center for Research and Restoration of the Museums of France: Raphael. It was written for and read by noblewomen, including the poet Vittoria Colonna, Isabella d’Este, marchioness of Mantua, and the author’s mother, as well as by men. Bleiben Sie beiInstagram &Facebook aufdem Laufenden. [30] He talks about the divine nature and origin of love, the "father of true pleasures, of all blessings, of peace, of gentleness, and of good will: the enemy of rough savagery and vileness", which ultimately lifts the lover to the contemplation of the spiritual realm, leading to God. To this end he should wear subdued rather than bright colors, though in general attire he should follow the prevalent customs of his surroundings. His arguments in favor of literature are derived from those of Cicero in Pro Archia, and his description of the ideal courtier is strongly influenced by Cicero's Deoratore. 次いでフランチェスコ･デラ･ロベレに仕え，ローマに派遣される (1513‐15)。1 1524年，教皇クレメンス7世の命により，教皇使節としてマドリードにいる 皇帝 カール5世のもとにおもむく。 1688‐1766 While in his letter to the pope (dated December 10, 1527), he had the audacity to criticize Vatican policies, asserting that its own inconsistencies and vacillations had undermined its stated aim of pursuing a fair agreement with the emperor and had provoked Charles V to attack. He was sent as ambassador to Henry VII of England and in 1513 was made Count of Nuvolara by Guidobaldo's successor, Francesco Maria della Rovere. Pallavicino, piqued, hints that Giuliano is wrong, but in the end concedes that he himself has been wrong to disparage women. It was set to music as a six-part Madrigal by Girolamo Conversi and translated by, among others, Edmund Spenser and Joachim du Bellay. [17], Early Italian humanism had been a product of independent city-republics, most notably Florence. Portrait of Baldassare Castiglione is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael.Considered one of the great portraits of the Renaissance, it has an enduring influence. CASTIGLIONE, BALDASSARE (1478 – 1529). He died of the plague in Toledo in 1529. It addresses the topic, proposed by Federigo Fregoso, of what constitutes an ideal Renaissance gentleman. The discussion also touches on a variety of other questions, such as which form of government is best, a republic or a principality—the Genoese Fregoso brothers taking the republican side, since Genoa had long had a republican government. should be skilled—though not ostentatiously so—in literature, music, painting, and dancing. Bildfarben können am Monitor verfälscht wirken. WhatsApp. "[19] The aim of Castiglione's ideal Renaissance gentleman was not self-cultivation for its own sake but in order to participate in an active life of public service, as recommended by Cicero. Castiglione's minor works are less known, including love sonnets and four Amorose canzoni ("Amorous Songs") about his Platonic love for Elisabetta Gonzaga, in the style of Francesco Petrarca and Pietro Bembo. This is a bitter topic, since the French, who had just invaded Italy, had shown themselves clearly superior in fighting to the Italians. Copyright 2010 The Gale Group, Inc. All rights reserved. "Assumed Simplicity and the Critique of Nobility: Or, How Castiglione Read Cicero", MS 239/25 Ad sacratissimum Britanniae regem Henricum at OPenn, https://en.wikipedia.org/w/index.php?title=Baldassare_Castiglione&oldid=980151867, Articles needing additional references from December 2017, All articles needing additional references, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 September 2020, at 22:19. The book ends on an elevated note with lengthy speech about love by the humanist scholar Pietro Bembo (later a Cardinal). The courtier's behavior should be characterized by grace and nonchalance (sprezzatura), and he should carefully avoid any affectation. NHKのドラマシリーズ｢連続テレビ小説｣第103作。2020年11月より放映予定。脚本は「半沢直樹」や「下町ロケット」などのヒット作を手がけている八津弘幸が担当する。主題歌は秦基博(はた もとひろ)の... 「コトバンク」は朝日新聞社の登録商標です。「コトバンク」のサイトの著作権は(株)朝日新聞社及び(株)VOYAGE MARKETINGに帰属します。 0 Kommentare. Link auf diese Seite. Diese Zustimmung wird von Ihnen für 24 Stunden erteilt. Regular guests included: Pietro Bembo; Ludovico da Canossa [it]; Giuliano de' Medici; Cardinal Bibbiena; the brothers Ottaviano and Federigo Fregoso from the Republic of Genoa. Grave Socrates himself began to learn the cithern when an old man. When the young Lomabard nobleman Gaspare Pallavicino objects that music is effeminate, Canossa answers that there is no better way to soothe the soul and raise the spirits than through music, and he names great generals and heroes of antiquity who were keen musicians. Bembo describes how the experience of sublimated love leads the lover to the contemplation of ideal beauty and ideas. Castiglione's service there gave him an entree into the court of Pope Julius II, where he became a friend of the artist Raphael. There he was friendly with many artists and writers; including Raphael, whom he already knew from Urbino, and who frequently sought his advice. It is a discussion of the qualities of the ideal courtier, put into the mouths of such friends as Pietro Bembo, Ludovico da Canossa, Bernardo da Bibbiena, and Gasparo Pallavicino. As to the question of what a courtier should do when ordered by his prince to commit an immoral act such as murder, he states, "There would be too much to say; it must all be left to your discretion." The genre is also the same in The Courtier and De Oratore: a comfortable, informal, open-ended discussion, in Ciceronian rhetoric called sermo (conversation),[16] in which the speakers set out the various sides of an argument in a friendly (rather than adversarial) way, inviting readers, as silent participators, to decide the truth for themselves. Scholars agree that Castiglione drew heavily from Cicero's celebrated treatise De Officiis ("The Duties of a Gentleman"), well known throughout the Middle Ages,[13] and even more so from his De Oratore, which had been re-discovered in 1421[14] and which discusses the formation of an ideal orator-citizen. In any case, the ideal courtier should be able to speak gracefully and appropriately with people of all stations in life. Baldassare Castiglione , count of Casatico, was an Italian courtier, diplomat, soldier and a prominent Renaissance author, who is probably most famous for his authorship of Il Cortegiano or The Book of the Courtier. The work contains echoes of both ancient and contemporary poetry, recalling Poliziano and Sannazzaro as well as Virgil. Our editors will review what you’ve submitted and determine whether to revise the article. She was devoted to her husband though his invalid state meant they could never have children.

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